Lust Stories 2, the sequel to the critically acclaimed Lust Stories (2018), falls short of its predecessor as an anthology. While the anthology directed by Konkona Sen Sharma stands out with its compelling storytelling and stellar performances by Tillotama Shome and Amruta Subhash, the remaining films by R. Balki, Sujoy Ghosh, and Amit Ravindernath Sharma fail to capture the same essence and impact.
The Mirror
Konkona Sen Sharma, known for her directorial prowess in A Death in the Gunj (2016), delivers a layered and thought-provoking anthology. Exploring quintessential “Lust Story” themes of class, space, and female desire, Sen Sharma demonstrates her ability to craft narratives that resonate deeply with the audience. Her segment is brought to life by the vivid performances of Tillotama Shome and Amruta Subhash, who effortlessly embody the complexities of their characters.
Isheeta, a successful and single professional, walks in on a startling scene when she returns from work, watching her maid and her husband having sex on her bed. Initially taken aback, Isheeta gradually realizes that the scene she has witnessed presents an opportunity to add excitement to her otherwise dull and sexless life, albeit indirectly. The script, penned by Pooja Tolani and Sen Sharma, examines the complexities of female desire within two distinct physical spaces. On the one hand, there is Seema’s cramped tenement, where she resides with her husband and children, and on the other hand, there is Isheeta’s high-end apartment, where Seema has free reign during the daytime.
The script delves into the dynamics of desire, unveiling the complexities and nuances of female sexuality and longing. The anthology examines how desire manifests itself within different socio-economic contexts by juxtaposing the two settings.
Made for Each Other
R. Balki’s contribution lacks the depth and nuance expected from his storytelling. The narrative feels disjointed, and the characters fail to resonate emotionally. It is a missed opportunity for Balki to explore the complexities of human relationships and desires effectively.
Made for Each Other revolves around a recently engaged couple, Veda (Mrunal Thakur) and Arjun (Angad Bedi). In an unconventional move prompted by Veda’s grandmother, who believes that a successful marriage requires satisfying sexual compatibility, the couple decides to put their bedroom compatibility to the test before tying the knot.
The narrative falls short due to its ad film-like approach. The constant presence of background underlay is distracting and detracts from the storytelling. Furthermore, Neena Gupta’s character, known for her progressive mindset, seems confined to a familiar typecast. This limits the opportunity for the film to delve into uncharted territory and offer a fresh perspective on the subject matter.
Sex with Ex
Sujoy Ghosh, known for his gripping thrillers, disappoints with a lackluster offering that fails to sustain the viewer’s interest. The storyline lacks the suspense and intrigue that Ghosh is known for, resulting in a forgettable experience.
Sex with Ex, despite its shortcomings, benefits from the electrifying performances of Tamannaah and Vijay Varma. Their on-screen chemistry enlivens the narrative and elevates the overall viewing experience. The actors’ ability to engage the audience and create a compelling dynamic between their characters adds depth and intrigue to Ghosh’s storytelling.
The film follows Vijay Chauhan (pun intended), played by Vijay Varma, a father of two, who is en route to meet a secret lover when he ends up crashing his vintage car into a tree to avoid colliding with a cyclist.
As Vijay searches for a car mechanic, he stumbles upon a town where he encounters an alluring woman who bears a striking resemblance to his ex-wife, Shanti, played by Tamannaah Bhatia, who disappeared without a trace. This encounter raises questions about the woman’s true identity and whether she is who Vijay believes her to be.
However, despite its intriguing premise, the narrative of Sex with Ex is confusing and often stretches the boundaries of believability. The story leaves viewers with an open-ended climax that feels more like a gimmick than a satisfying conclusion. This lack of clarity and resolution may leave audiences feeling dissatisfied and questioning the overall coherence of the film.
Tailchatta
In Amit Sharma’s anthology of Lust Stories 2, Kajol takes on the role of Devyani Singh, a woman who has been treated like a doormat by her husband, Suraj Singh, portrayed flawlessly by Kumud Mishra. Determined to assert her independence and secure a better future for her son Ankur, played by Zeeshan Nadaf, Devyani hires a new cleaning lady named Rekha, portrayed by Anushka Kaushik. As expected, Suraj Singh’s lustful desires are ignited by Rekha’s presence, leading to a complex web of manipulation and desire.
Kajol delivers a solid performance that anchors the segment, providing it with a meaty center. Kajol’s ability as a woman whose wounds are unhealed speaks volumes about her acting skills.
Kumud Mishra, known for his impeccable acting skills, effortlessly embodies the character of Suraj Singh. He convincingly portrays Suraj’s lecherous nature and the oppressive hold he has over Devyani. Anushka Kaushik and Zeeshan Nadaf, the two younger actors in the segment, deliver commendable performances that deserve special mention.
Despite commendable performances and her ability to convey depth through her expressive eyes, the film falls short in both its logical and emotional coherence. The narrative fails to come together in a way that is satisfying or impactful.
Lust Stories 2, while redeemed by Konkona Sen Sharma’s exceptional anthology, the remaining contributions by R. Balki, Sujoy Ghosh, and Amit Ravindernath Sharma lack the sparkle and impact expected from these talented directors.